Above a representation of my emotionological environments using the principle of growth rings and 8-bit Cognitive Dimensioning discussed earlier.

We will now take a new view at the cognitive representation through a filter that will let us perceive and interact with the changes in the cultural contexts or hidden stories. I will use a filter of sorts to transpose these emotionological contexts and harmonize the cacophonous tones. Basically what this means is that instead of having textiles in wool, cotton, silk, nylon, microfiber, leather all in different colours, patterns and textures I will represent the shift in an emotionological space through a change in only one of these features, in this case colour.

The story of the object changes as you shape the chair to best suit you. The autobiography, the identities reflected onto the object, is rewritten as a new story merges with the object starting a collective narration.

The chair is a snapshot of the designers life, capturing feelings and emotions of a given moment. This captured instance is left to transcend through time interacting, blending and merging with its users. At each interaction the chair assumes part of its user creating a composite object of part user and part designer.

Just like a mask has a baked-in expression or identity and when worn assumes a blend of both the identities, the one of its wearer and the captured expression.

The light is intended to be a playful slightly comic object with a retro feel. Soft, round and warm to make you smile.

Project materialized with fellow designers Giorgia Crisci, Dario Gaudio and Francesco Tolin in cooperation with Vecchia Lodi Ceramics for the expo 2015 held in Milano.

I took a sculptural approach to this project and used cutlery to make the structure for the frother. To contrast with the stainless steel I used a silicone casing to hold the components in place.